LINKS :: Sharunas BARTAS
Sharunas BARTAS Šarūnas Bartas (born 16 August 1964, Lithuania) = 44 yold in 2009
Indigène d'Eurasie / Eastern Drift (2010) 111' - IMDb Berlinale 2010
Seven Invisible Men (2005) IMDb
Please complete, correct when needed. This is an ongoing resource page to be updated.
10 films / 9 screenplays (1st film: 1986/latest film: 2010)
INSPIRED BY : Andrei Tarkovsky, Katerina Golubeva, Aleksendr Sokurov, Tarr Béla, Léos Carax?
C.C.C. films (strict model in red) : Indigène d'Eurasie (2010), Seven Invisible Men (2005); Children Lose Nothing (2004); Freedom (2000); A Casa (1997); Few of Us (1996); Koridorius (1994); Trys dienos (1991); In Memory of the Day Passed By (1990); Tofolaria (1986)
INFLUENCE ON : Steve McQueen, Audrius Stonys?
Quick scroll : BIBLIOGRAPHY | BOOK | ONLINE ARTICLES | INTERVIEW | WEBSITES | DOCUMENTARY
Indigène d'Eurasie / Eastern Drift (2010) 111' - IMDb Berlinale 2010
- Berlinale 2010, section Forum | press kit PDF [GERMAN] [ENGLISH]
- "Le gros plan par Sharunas Bartas" interview by Thomas Schwoerer (Arte, Feb 2010) video 3'28" [FRENCH] [GERMAN]
- "Indigène d'Eurasie : la course éperdue d'un trafiquant pour s'extraire de la mafia" par: Isabelle Regnier (Le Monde, 7 Dec 2010) [FRENCH]
- "Le contemplatif cinéaste lituanien s'essaie avec brio au film noir" par: S. Kaganski (Inrockuptibles, 7 Dec 2010) [FRENCH]
- "La ligne zone de Sharunas Bartas" par: Philippe Azoury (Libération, 8 dec 2010) [FRENCH]
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Seven Invisible Men (2005) IMDb
- "Seven invisible men - Sharunas Bartas. Splendeurs et décadence chez les moujiks" By: Guillaume Bozonnet (Peau Neuve, ?) [FRENCH]
- "Vestiges et vertiges des Soviets" By: Olivier Seguret (Libération, 19 May 2005) [FRENCH]
- Review By: Amélie Dubois (Les Inrockuptibles, #524, 1st Jan 2005) [FRENCH]
- Review By: ? (Cahiers, #562, Dec 2005) [FRENCH]
- "Met de mensheid is het sowieso over"By: Dana Linssen (Filmkrant, #283, Dec 2006) [DUTCH]
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- Review By: Serge Kaganski (Les Inrockuptibles, #269, 30 Nov 1999) [FRENCH]
- "Freedom" By: Yann Gonzales (Chronicart, 2000) [FRENCH]
- "Les prisonniers du désert, 'Freedom' de Sharunas Bartas : un grand film d'aventures entre Ford et Corto Maltese" By: Serge Kaganski (Les Inrockuptibles, #269, 18/12/2000, p. 42-43) [FRENCH]
- "L'errance désespéré d'un trio dans le désert" By: Jean-Claude Loiseau (Télérama, #2657, 13 Dec 2000, p.50) [FRENCH]
- "L'écho du monde" By: Hélène Raymond (Fluctuat, Dec 2000) [FRENCH]
- "Hoop sterft het laatst" By: Dana Linssen (Filmkrant, #226, Oct 2001) [DUTCH]
- Review By: Florian Abèle (Objectif-cinéma) [FRENCH]
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- Review By: Serge Kaganski & F. Bonn (Les Inrockuptibles, #120, 30 Nov 1996) [FRENCH]
- "AbracadaBartas" By: Didier Péron (Libération, 16 mai 1997) [FRENCH]
- "La cinémathèque de Babel. A propos de The House de Sharunas Bartas" By: Jérôme Lauté (revue Eclipses, 1998) [FRENCH]
- "Verdwaalde passanten in een verveloos huis" By: Petra van der Ree (Filmkrant, #196, Jan 1999) [DUTCH]
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- Press kit, excerpt from Le Monde (JM Frodon, 9 Sept 1996), Positif #425/426 (Noël Herpe, july/Aug 1996), Cahiers #505 (Thierry Lounas, Sept 1996), Le Courrier Art et Essai #51 (15 Sept 1996) PDF [FRENCH]
- Review By: Vincent Ostria (Les Inrockuptibles, 18 Sept 1996) [FRENCH]
- "Résistance de la beauté et beauté de la résistance : a propos de Few of us de Sharunas Bartas" By: Jérôme Lauté (revue Eclipses, #19-20, 1st Jan 1997, p. 25-34) [FRENCH]
- Review By: acquarello (Strictly Film School, 11 Jan 2005)
- "Zij die dichtbij lijken zijn het verst" By: Petra van der Ree (Filmkrant, #181, Sept 1997) [DUTCH]
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- "De quoi sommes-nous la somme?" By: Leos Carax (Festival de Tours, Derives.tv, 1995) [FRENCH] on Corridor & Three Days
- "Les terres inconnues de Sharunas Bartas" By: Jean Roy (L'Humanité, 25 Oct 1995) [FRENCH] on Corridor & Three Days
- Review By: Serge Kaganski (Les Inrockuptibles, #28, 30 Nov 1994) [FRENCH] on Corridor & Three Days
- "Empathie" By: Jérôme Lauté (Revue Eclipses n° 28, 1999, pp 34-37, 34 p.) [FRENCH]
- "Une intériorité dévorante. Le Corridor de Sharunas Bartas visité par la peinture de Vilhelm Hammershøi" By: Jérôme Lauté (revue Eclipses, #31, 2000) [FRENCH]
- Review By: acquarello (Strictly Film School, 13 Jan 2005)
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- "De quoi sommes-nous la somme?" By: Leos Carax (Festival de Tours, Derives.tv, 1995) [FRENCH] on Corridor & Three Days
- "Les terres inconnues de Sharunas Bartas" By: Jean Roy (L'Humanité, 25 Oct 1995) [FRENCH] on Corridor & Three Days
- Review By: Serge Kaganski (Les Inrockuptibles, #28, 30 Nov 1994) [FRENCH] on Corridor & Three Days
- "Figures, anti-figures : Trys dienos de Sharunas Bartas" By: Bruno Girard (Lignes de fuite, ?) [FRENCH] PDF
- « Sharunas Bartas: Trajectoires de la rencontre dans Trys Dienos », Journée doctorale en Langues, Lettres et Arts : Autour du cinéma. Réflexions et études de cas (7/8), Université de Provence, Juin 2008. QT Video [FRENCH]
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GENERAL BIBLIOGRAPHY
- Serge Kaganski, "La cité de la joie", Les Inrockuptibles, septembre-octobre 1995, pp 40-41. [FRENCH]
- Jean Roy, "Les terres inconnues de Sharunas Bartas", L'Humanité, 25 octobre 1995. [FRENCH]
- Jean-Michel Frodon, Le Monde, 19 octobre 1995 [FRENCH]
- Philippe Roger, revue Etudes, Tome 385, #5, Nov 1996, pages 543-544. [FRENCH]
- Jean-Michel Frodon, "Le splendide et silencieux mystère des Sayanes", Le Monde, 19 septembre 1996. [FRENCH]
- Laurent Rigoulet, "Grand Angle sur un monde fermé" et Elisabeth Lebovici, "Un chevalier fier comme un Bartas", Libération, 16 Mai 1996. [FRENCH]
- Thierry Lounas, "Le peuple cinéma", Cahiers du Cinéma n°505, 1996, pages 75-76. [FRENCH]
- Olivier Séguret, "Sharunas Bartas, le temps des Tofolars", Libération, 18 septembre 1996. [FRENCH]
- Sarunas Bartas: Un cinema di sguardi su un mondo di incertezze a cura di Tiziana Finzi, Trieste (Italie), 1998 [ITALIAN]
- Vincent Deville, "Sharunas Bartas, un cinéaste en quête de présent perdu", thesis directed by Nicole Brenez, Univ. Paris 1- Sorbonne, UFR d'Histoire de l'art, juin 1999, 103 pp. [FRENCH]
- Jacques Morice, "Le Chaman de Vilnius", Télérama, 13 Décembre 2000, pages 44-46. [FRENCH]
- Laura Sinagra, "Sharunas Bartas", Exile Cinema (ed. Michael Atkinson), New York: SUNY UP, 2008, pp 87-92.
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BOOK on Sharunas BARTAS
- Tony Pipolo, Six films by Sarunas Bartas, Anthology Film Archives, New York, 2003, 12p
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- "De quoi sommes-nous la somme?" By: Leos Carax (Festival de Tours, Derives.tv, 1995) [FRENCH] on Corridor & Three Days
- "Balte-là" By: Serge Kaganski (Les Inrockuptibles, 18-24 septembre 1996, pp 22-24) [FRENCH]
- "Planète Bartas" By: Serge Kaganski (Les Inrockuptibles, 1st Oct 1997) [FRENCH]
- "Are you sitting comfortably?" By: Jonathan Romney (The Guardian, 7 Oct 2000)
- "Being There" By: Michael Atkinson (The Village Voice, 28 Jan 2003)
- "Baltic State. Sarunas Bartas at the Harvard Film Archive" By: Peter Keough (The Phoenix, 20 March 2003) Program
- "Bartas, l'irréductible" By: Isabelle Régnier (Le Monde, supplément spécial Cannes, 15 Mai 2003, p. 4-5) PDF [FRENCH]
- "Cinema of Damnation: Negative Capabilities in Contemporary Central and Eastern European Film" By: Tony McKibbin (Senses of Cinema, December 2004)
- "Towards the aesthetics of slow" By: Matthew Flanagan (16:9, Nov 2008)
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- video interview (ARTE, 17 Sept 1996) [ENGLISH] [FRENCH] on Few of Us
- interview de Sharunas Bartas (Téléréma, 18 Sept 1996) [FRENCH]
- "Sharunas Bartas. La inutilidad de la palabra" By: Enrique Aguilar (Contrapicado.net, Mar-Apr 2006) [SPANISH]
- "Sharunas Bartas over Seven invisible men. Met de mensheid is het sowieso over" interview By: Dana Linssen (Filmkrant, #283, Dec 2006) [DUTCH] on Seven Invisible Men
- "Le gros plan par Sharunas Bartas" interview by Thomas Schwoerer (Arte, 13 Feb 2010) video 3'28" [FRENCH] [GERMAN] on Eastern Drift
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TEXT BY Sharunas BARTAS
- "Lithuania" By: Sharunas BARTAS [LITHUANIAN] [FRENCH]
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- IMDb
- Lithuanian Film Center [LITHUANIAN] [ENGLISH]
- Wikipedia [FRENCH] [ENGLISH] [ITALIAN]
- Les Films du Paradoxe
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- An army of one (2010/Guillaume Coudray/France) 55' [FRENCH] PDF / website / video sample
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Please complete, correct when needed. This is an ongoing resource page to be updated.
Comments
I like Bartas' films very much, particularly Three Days, The Corridor, Few of Us & Freedom. He's more of a narrative minimalist than a durational/long take "contemplative" filmmaker, but is certainly an integral part of the tradition...
I've seen only Few of Us and 7 Invisible Men and he uses quite long takes (especially in the former). Though he's not the kind who uses up the full reel of filmstock like Tarr does.
I was wondering what he was up too lately. I'm glad to find out he's got a porject under production (after an earlier one aborted). So I'm looking forward to the release of his new film.
Three Days: 219 (ASL 20.9)
The Corridor: 177 (ASL 27.9)
Few of Us: 148 (ASL 38.5 [I think - not sure whether my source is PAL or not])
Freedom: 169 (ASL 32.9)
Haven't done ASLs for the other 3 films yet. I remember there being little discernable pattern to the juxtaposition of "short" & long takes in the first 2 features, but Few of Us and Freedom (as you say) do consist of more uniformly lengthier takes. I think he's more concerned with stillness and distance (long shots of figures & landscapes vs. close-ups of the face) than duration, though. There's a shot in Freedom of the three protagonists trudging across sand into the distance that makes me think of the Magi's (notorious) 9-minute trek in Birdsong, but it's probably only held for a quarter of the time!
I don't think Seven Invisible Men was particularly well received on release, so perhaps that explains the recent inactivity. I hope his new project is going well!
Just remembered Tony McKibbin's relevant article from Senses of Cinema - will link above...
http://www.kinopavasaris.lt/en/gallery?akimirkos_id=66&galleryType=kp#../Files/akimirkos_img/436b4e439556e4e566d8f7b45a0644c6.jpg
I'm not sure if it will be available in English, though, Paradoxe's site doesnt say.