Slow Cinema video essay & Kaili Blues

What Is Duration? Understanding Slow Cinema Through KAILI BLUES
A video bricolage-essay by Ryan Swen (YouTube 29 May 2018) 9'15"
A mix between a straightforward video essay and a more abstract collage, this video briefly delves into the loose movement known as slow cinema, using the 2015 Chinese film KAILI BLUES, directed by Bi Gan, as a focusing lens. Equal emphasis is given to analysis and creation of a mood befitting the subject matter.
Source :

'Kaili Blues' Q&A | Bi Gan | New Directors/New Films 2016 (YouTube 33')

Director Bi Gan discussed his film 'Kaili Blues' after its screening at New Directors/New Films 2016, co-presented by the Film Society of Lincoln Center and the Museum of Modern Art. A multiple prizewinner at the Locarno Film Festival and one of the most audacious and innovative debuts of recent years, Bi Gan’s endlessly surprising shape-shifter comes to assume the uncanny quality of a waking dream as it poetically and mysteriously interweaves the past, present, and future. Chen Sheng, a country doctor in the Guizhou province who has served time in prison, is concerned for the well-being of his nephew, Weiwei, whom he believes his thug brother Crazy Face intends to sell. Weiwei soon vanishes, and Chen sets out to find him, embarking on a mystical quest that takes him to the riverside city of Kaili and the town of Dang Mai. Through a remarkable arsenal of stylistic techniques, the film develops into a one-of-a-kind road movie, at once magical and materialist, traversing both space and time. A Grasshopper Film release.


BenoitRouilly said…
Correction :
"Slow cinema" (ToBeContd) Zachary Lewis, Michael Sicinski (Aug 2014) offline but accessible on Web Archive here :

Thanks to Peter Labuza for the link.

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