A follow-up to this post . Gleanings from print material on Lav Diaz: As with Filipino society itself, the gap between rich (big films) and poor (small films) is noticeable and growing. In 1998, “Mother” Lily Monteverde, matriarch of Regal Films, set up the ultra-low-budget division Good Harvest to produce films on pito-pito (“quickie”) 10-day schedules and shoestring budgets of around P2.5 million (around $65,000) each, compared with the average Filipino feature cost of P12 million. Ostensibly genre pictures, but embracing a peculiarly Filipino mix of the lurid, political and religious, this initiative has produced some of the most promising mainstream films since the Seventies. Good Harvest has launched the careers of young filmmakers like Jeffrey Jeturian, whose hit, Fetch a Pail of Water ( Pila Balde ) has Brocka’s social conscience and a touch of humour, and Rico Illarde, with his American-style horror action in El Kapitan , and made a star out of the well-endowed “bold” actress...