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Slow Cinematic Atmosphere (Boer & de Roo)

"[..] Our emphasis on the affective mediation of the film’s atmospheres contributes to the slow cinema debate, where much theorising explains the genre’s characteristic slowness in narrative-aesthetic terms. By including recent discourse on affective atmospheres, we aim to provide theoretical tools that can be used to understand and analyse the stylistic features of slow films as aesthetic, atmospheric properties that afford viewers’ meaningful engagement with the film-world in ways differently than narrative comprehension and/or character engagement. In other words, the novel framework of film atmosphere helps advance the understanding of certain distinct aesthetic pleasures this type of film offers its audience; the notion of atmosphere captures well the power the aesthetics of slowness holds. [..]" Slow Cinematic Atmosphere: Developing an Enactivist-Phenomenological Theory for Contemplative Spectatorship ; Jakob Boer & Ludo de Roo; 17 Feb 2025; Quarterly Review of Film...

Video essay on Perfect Days V2 (Sophia)

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  Video essay on Perfect Days V2 (YouTube) 8'06" (Sophia by Nico) 7 Feb 2025

Flow ASL

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  from the film's own Instagram: @gzilbalodis Read also at Unspoken Cinema: Average Shot Length Average Shot Length in CCC

Belá Tarr about the philosophy of filmmaking (European Film Club)

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  Belá Tarr about the philosophy of filmmaking (YouTube) 9'14" (European Film Club) 20 June 2024 "The legendary Hungarian director Béla Tarr sat down with Braiens, our Latvian member of the European Film Club, and shares how his political anger made him do films when he was only 16 years old. On the occasion of the 36th European Film Awards on 9 December 2023, Béla Tarr was presented with the Honorary Award of the Academy President and Board. With this award the European Film Academy payed special tribute to an outstanding director and a personality with a strong political voice, who is not only deeply respected by his colleagues but also celebrated by audiences world-wide. It was a great honour for the European Film Club to meet him!"

2024 Recommended Contemplative Films

Abiding Nowhere  (2024/TSAI/Taiwan) DOC Caught By The Tides  (2024/JIA/China) Dahomey  (2024/DIOP/FR/Senegal/Benin) DOC Direct Action  (2024/CAILLEAU/RUSSELL/France/Germany) DOC Flow  (2024/ZILBALODIS/Latvia) In Praise of Slowness  (2024/GARDAF/UK/Italy) Short DOC March to May  (2024/REPKA/Slovakia) Pepe  (2024/Nelson Carlo de LOS SANTOS ARIAS/Dominican Republic) Phantosmia  (2024/DIAZ/The Philippines) Qing Chun: Gui / Youth: Homecoming  (2024/WANG bing/China) DOC Qing Chun: Ku / Youth: Hard Times  (2024/WANG bing/China) DOC Rivulet of Universe  (2024/WATCHARAPANIT/Thailand) Salome  (2024/MANGANSAKAN/The Philippines) Slow  (2024/LANG/FR) DOC Tardes de Soledad  (2024/SERRA/France/Portugal/Spain) DOC The Cats of Gokogu Shrine  (2024/SODA/Japan) DOC Viet and Nam  (2024/TRUONG/Vietnam) See the CCC Recommendations Page on Unspoken Cinema for more

Best of 2024 (Benoit Rouilly)

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Direct Action Direct Action (2024/CAILLEAU/RUSSELL/France/Germany) DOC Dahomey (2024/DIOP/FR/Senegal/Benin) DOC Evil Does Not Exist (2023/HAMAGUCHI/Japan) Man in Black (2023/WANG Bing/France) C’est pas moi (2024/CARAX/France) Youth (Spring) (2023/WANG Bing/China) In Our Day (2023/HONG Sangsoo/S.Korea) The Seed of the Sacred Fig (2024/RASSOULOF/Iran) Flow (2024/ZILBALODIS/Latvia) Poor Things (2023/LANTHIMOS/USA) Le deuxième act (2024/DUPIEUX/France) Kinds of Kindness (2024/LANTHIMOS/USA) Caught By The Tides (2024/JIA/China) All We Imagine As Light (2024/KAPADIA/India) Daaaaaalí (2023/DUPIEUX/France) The Zone of Interest (2023/GLAZER/UK) Memory (2023/FRANCO/USA) The Room Nextdoor (2024/ALMODOVAR/USA) I'm Still Here (2024/SALLES/Brazil) The Monk And The Gun (2023/DORJI/Bhutan) *In purple: Contemplative Cinema

A Cinematic Ode to the Ordinary (Up in the Air ft. Zürich)

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  PERFECT DAYS (2024) a Cinematic Ode to the Ordinary | in-depth film review (YouTube) 8'06" (Up in the Air ft. Zürich) March 1st 2024

The Little Things In Life (Obscure Film)

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  The Straight Story: The Little Things In Life | The Essay Library Video Jam 2025 (YouTube) 4'14" (Obscure Film) 20 Jan 2025 "An exercise in considering the little things (during a high speed video essay making jam)"

SFF2025

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  SLOW FILM FESTIVAL 2025

How to Recommend Slow Cinema (Archie Marshall)

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  HOW TO RECOMMEND SLOW CINEMA - Video Essay (YouTube) 13'41" (Archie Marshall) 16 Jan 2025

Documentaries where the journey is the destination / Documentaries on the sensory journey (Essay Library's 2025 48 Hour Video Jam)

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  Documentaries where the journey is the destination (YouTube) 7'20" (James DeLisio) 20 jan 2025 "In film, we often like to say that it's more about the journey than the destination. But is that always true? Video essay by James DeLisio & Max Teeth, created as part of the Essay Library's 2025 48 Hour Video Jam. We created two videos about the sensory and durational journeys taken in several documentary films." Documentaries on the sensory journey (YouTube) 6'19" (Max Teeth) 20 jan 2025 "I made this video essay in one weekend with my friend James Delisio for the Essay Library's Essay Jam. we made two parallel essays exploring the somatosensory and durational experience of several documentaries (and a few narrative films)."

David Lynch (1946-2025)

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Chantal Akerman: Adventures in Perception (BFI)

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  Chantal Akerman: Adventures in Perception | BFI Trailer (YouTube) 1'33" (BFI) 10 jan 2025 ‘I want people to experience film in their body.’ – Chantal Akerman ‘Where are you Anna?’ drifts a voice out of an answerphone in Akerman’s mesmerising 1978 road trip Les Rendez-vous d’Anna. We could ask the same of the Belgian auteur. For where do we place her cinema? Across 40 films, Anna is one of many stand-ins for the director, who was ahead of her time making introspective odysseys from an innately feminist, queer, and Jewish perspective but who believed ‘all labels have to be thrown away’. Akerman had many deep-rooted obsessions beyond self-portraiture: confinement, mother-daughter relationships, exile, anxiety and loneliness, desire and the impossibility of human connection. But she never repeated herself. Her formally audacious films of the 70s, exemplified by Jeanne Dielman, reckoned with cinema’s essence – time and space – but her obsessions would go on to surface in comedie...

Chantal Akerman au Jeu de Paume (Paris 2024-25)

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 Chantal Akerman. Travelling Jeu de Paume (Paris) | 28 septembre 2024-19 janvier 2025 "Le Jeu de Paume rend hommage à la cinéaste, artiste et écrivaine belge Chantal Akerman (Bruxelles 1950 – Paris 2015) à travers une exposition exceptionnelle, réalisée avec le Palais des Beaux-Arts de Bruxelles, la Fondation Chantal Akerman et la cinémathèque royale de Belgique." Exposition Chantal Akerman. Travelling (YouTube) 40" (Jeu de Paume) 20 Sept 2024 "Le Jeu de Paume rend hommage à la cinéaste, artiste et écrivaine belge Chantal Akerman (Bruxelles 1950 – Paris 2015) à travers une exposition exceptionnelle. « Chantal Akerman. Travelling » retrace le parcours atypique de cette figure emblématique qui ne cesse d’inspirer et fasciner des générations d’artistes et cinéphiles." Note d'intention (extrait) pour Jeanne Dielman Dépliant & catalogue de l'exposition Ecouter aussi : Coppola/Akerman, des autoportraits en irrécupérables | France Culture  (1...

Ozu's Pillow-Shot (Noel Burch)

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  Pillow shots - OZU Yasujiro (YouTube) 9'35" (Unknown)  * * * "The term “pillow shot” was coined in connection with Ozu’s work by the critic Noël Burch in his book To the Distant Observer: Form and Meaning in the Japanese Cinema: “I call these images pillow-shots, proposing a loose analogy with the ‘pillow-word’ of classical poetry.” In a note, Burch cites Robert H. Brower and Earl Miner thus: “Makurakotoba or pillow-word: a conventional epithet or attribute for a word; it usually occupies a short, five-syllable line and modifies a word, usually the first, in the next line. Some pillow-words are unclear in meaning; those whose meanings are known function rhetorically to raise the tone and to some degree also function as images.” So (by analogy) a pillow shot serves as a visual “nonsense-syllable” or non sequitur that creates a different expectation for the next scene." Martin Schneider, 2013,  Yasujiro Ozu and the enigmatic art of the pillow shot , in Dangerous Min...