Unspoken Cinema

Entre dos mundos from Banda TRANSIT on Vimeo . This video contains footage from At Land (Maya Deren, 1944), At Sea (Peter Hutton, 2007) and Between Two Worlds (Vimukthi Jayasundara, 2009). They try to illustrate a divulgative and creative text about Deren's, Hutton's and Jayasundara's productions. It doesn't exist any profit motive in mind. (Covadonga G. Lahera for cinentransit.com) Read also at Transit : " At Land / At Sea / Between Two Worlds " By: Covadonga G. Lahera " De At Land à Between Two Worlds " By: Covadonga G. Lahera

Sri Lankan filmmaker Vimukthi Jayasundara’s debut and only film to date, The Forsaken Land (2005), opens at dusk with the shot of an armed man carefully surveying a vast stretch of land, walking over it in a zigzag pattern and pausing occasionally to observe specific points on it. Following this, we see a montage of seemingly unrelated images – a hand running over a tube light, a rigid arm jutting out of a stream of water and a couple sleeping, filmed head on – that recall Weerasethakul’s films for some reason and announce the otherworldly nature of this land where the story is to unfold. The Forsaken Land embodies the quintessence of the radical, new age aesthetic known as Contemporary Contemplative Cinema with its penchant for protracted, long shots and accentuated, hyper-real direct sound (particularly the sounds of elements of nature), its keen eye for landscapes and its tendency to favour the documentation of rhythm of life and gradual changes in human behavioral patterns over con...