Friday, October 20, 2006
Team Blog
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10/20/2006 02:28:00 PM
By
HarryTuttle
January 2007 will be dedicated to Contemplative Cinema. The synchronized blogathon will start on Monday, January 8, but everyone can start discussing now and until posts are welcome until the end of January. Hopefully to extend the duration of the blogathon on this collective-blog will allow to spread the contributions and faciliate the parallel discussions.
Happy New Year everyone!
This blogathon is opened to everyone, drop a note for membership request and you'll be able to cross-post your entries here. Tell your friends around. Whether you like what we call "contemplative cinema" or not, every perspective is welcome. From the point of view of aesthetics or technique or narration or screenwriting or performance or content.
Happy New Year everyone!
This blogathon is opened to everyone, drop a note for membership request and you'll be able to cross-post your entries here. Tell your friends around. Whether you like what we call "contemplative cinema" or not, every perspective is welcome. From the point of view of aesthetics or technique or narration or screenwriting or performance or content.
Participants are invited to argue the legitimacy of the phrase "contemplative cinema", this is a work-in-progress since the notion of contemplation in contemporean cinema is not well defined and can be perceived differently by the audience. One of the purpose of this blogathon is to understand better the contemplative aspect of today's cinema and figure its own limitations, its excess or its flaws.
What is "Contemplative Cinema" to you?
Is it "boring", "slow", "minimalist", "transcendental", "intellectual"? Are they more difficult to experience or do they offer a unique meditative state? Let's consider all possible angles of attack to approach it and understand it better. So the topic is open for interpretations. Don't be shy to share your view!
The form of contributions is left to the inspiration of the author. They could take the form of an individual film review, the analysis of a filmmaker's style, a thematic survey, a technical detail, the audience experience, the critical reception, your personal impressions... anything goes.
You can find the topic proposed here, and visit the blog for the anticipatory contributions and discussions already started. You can also subscribe to RSS feeds for comments in each post individually to keep up with the activity throughout the month in all posts.
This is a collective blog, so every member is administrator too. You can make corrections to the content of the group posts, and make new management posts to organize existing content and call for more contributions.
Discuss all technical and management issues here.
Add your suggestions for online ressources and articles references in the Bibliography. Please post a comment when you update the list in the post body so we can track.
Each entry (on your own personal blog) should be re-posted here on Unspoken Cinema too for archival purpose. When you post your blogathon entry on your own blog, please direct your readers to leave comments here instead in order to join forces to feed a common discussion in one place, and encourage the dialogue between each entry.
In parallel there will also be roundtables around questions posed by the specificity of Contemplative Cinema, to engage in a more informal conversation, to share ideas and point of views, without the constraint of writing up a full serious text. Members are invited to propose themes for the roundtables, or to start new posts here to experiment new ways of developping this discussion.
Technical issues :
I was very excited by the conversion of the (beta)Bloggers for the new features (RSS feeds for comments, category tags, easy template), but it seems to make life harder so far (upgrade was done before Christmas). Apparently members can only join if they have a Google account, and the connection is much slower on the new server! So the blog has become less accessible as a result. Please let me know before the 8th, if you encounter such problems too. I'm afraid we'll have to start a new blog elsewhere if membership is not opened to anyone... If the collective blog is jammed like that we won't enjoy the communal experiment I envisionned, and it will be no different from past blogathons.
Comments, suggestions, questions... please leave a note in the comments below
(I hope Google let everyone log in)
Straub-Huillet : Sicilia
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10/20/2006 02:23:00 PM
By
HarryTuttle
Exerpt from an interview with Danièle Huillet and Jean-Marie Straub from the Jean-Charles Fitoussi's documentary : Sicilia! Si gira (2001/Fitoussi)
- Interviewer : After Kafka; Amerika; Sicila; The Chronicle of Anna Magdalena Bach; are you conscious to make a more difficult movie [Operai, contadini]?
- Jean-Marie Straub: "More difficult" it's not pure hardline, it's something else. The one we are about to film [Il Ritorno del figlio prodigo - Umiliati ?] will be extremely easy and will please the audience.
- Danièle Huillet : it's obviously easier because it's scripted
- Interviewer : So why is this one easier than the others?
- JMS : I tried to say it, a film with a rhythm going 4 times slower ...
- DH : ... and that deals with boring people with a boring speech is a little difficult to pay attention to...
- JMS: even if it is color and in a forest ... hum...
- DH: ... sublime
- JMS: sublime, is not enough. Moreover a film without dialogue, whereas the previous one had lots of dialogue, like the Kafka, like in Not Reconciled...
- DH: ...and where there is not one but many protagonists...
- JMS: Yes, one of the main reason Sicilia worked, is that the bourgeoisie likes to have a protagonist with an initatic journey, and preferably to find back his/her mother, etc. That's why Bach worked. One can't change the vices of the bourgeoisie...
- Int: So Bourgeoise needs a hero?
- JMS: A hero, I don't know, but they need to hook up on something...
- DH: they abhor liberty, for themselves and for others...
- JMS: if bourgeoisie needs a hero, it needs Berlusconi!
Table of Content 2007
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10/20/2006 02:15:00 PM
By
HarryTuttle
BLOGATHON 2007 CONTRIBUTIONS (General list)
ROUNDTABLES
BLOGATHON GUIDELINES
ARCHIVED ARTICLES
DEFINITION
- Boring Art Films (Darren Hughes at Long Pauses)
- State of Cinema at SFIFF 2004 by Michel Ciment
- What is contemplative cinema? (Marina at Almayer)
- Le Post-Cinéma (Yannick Vély at Film de Culte) French
- The Fullness of Minimalism by Yvette Bíró (Rouge #9, 2006)
- Defining Contemplative Cinema (Bela Tarr) (weepingsam at The Listening Ear)
- Minimum Profile (HarryTuttle at Unspoken Cinema)
- Gilles Deleuze and Contemplative Cinema (Adrian Chan at Unspoken Cinema)
- What is Contemplating Cinema? (Adrian Chan at Reviews and analysis of significant Films...)
GENERAL REFLEXION
- Music & Experience as narrative force... (Johanna at The Lone Revue)
- Thoughts From an (Experimental?) Documentary Film (Johanna)
- Time in Akerman's Je, tu, il ...elle (Johanna at The Lone Revue)
- towards an exploration of contemplative cinema (cineboy at PilgrimAkimbo)
- Contemplative Cinema at the Drive-In: Monte Hellman's Two-Lane Blacktop (Tom Sutpen at If Charlie Parker Was a Gunslinger . . . )
- A Turning of the Earth, in Real Time (Bob at Forward to Yesterday)
- Disclaimer (HarryTuttle at Unspoken Cinema)
- Nuri Bilge Ceylan interview (Climates) (HarryTuttle at Screenville)
ORIGINS OF CONTEMPLATION
- Is Ozu Slow? (Jonathan Rosenbaum at Senses of Cinema)
- Rivette 1 (weepingsam at The Listening Ear)
- Andy Warhol (Girish at Girish)
- Harun Farocki's Inextinguishable Fire (Zach at Elusive Lucidity)
- Contemplative Cinema Blog-A-Thon - Play Time (1967) as Spiritual Treatise (Brendon at My Five Year Plan)
- Purpose and Style (Marina at Unspoken Cinema)
- Tentative genealogy (HarryTuttle at Unspoken Cinema)
- Contemplative Cinema: The Long Road to Taipei (2) (Zach Campbell at Elusive Lucidity)
- Justifying the frame (Marina at Unspoken Cinema)
- Ozu's Any-Space-Whatever, read through Gilles Deleuze (Adrian Chan at Unspoken Cinema)
AESTHETIC
- The Future of a Luminescent Cloud - Recent Developments in a Pan-Asian Style (James Udden at Panoptique)
- Contemplative Cinema: Notes on "Slacker" (Damian at Windmills of my Mind)
- More fun with contemplative cinema (cineboy at PilgrimAkimbo)
- La Nature au Cinéma (Guillaume Massart at FilmDeCulte) French
- Gus Van Sant on Bela Tarr (HarryTuttle at Screenville)
- Bela Tarr's Sound Images: Cinema of Proximity (Adrian Chan at reviews and analysis of indie films...)
- The Falling Rain in Bela Tarr and Andrei Tarkovsky (Adrian Chan at Unspoken Cinema)
CAMERA
- A Child's History Of Long Takes (David Lowery at Drifting)
- Average Shot Length (HarryTuttle)
- Notes on the camera of Béla Tarr: Damnation and Werckmeister Harmonies (Daniel Kasman at d+kaz)
NARRATION
- [Non-]Narrativity (Marina)
- “Art-Cinema” Narration part 1, 2 & 3 (Cineboy at PilgrimAkimbo)
ACT & CHARACTERS
- Contemplative Acting? (Marina)
BOREDOM
- Of boredom and interestingness (Jan at Jahsonic)
- Is it Boring Because Its Art? Or is it Art Because Its Boring? (The Cinesthete at Reel Friction)
- What Price Fetish? (Bob at Forward to Yesterday)
- Harun Farocki's Inextinguishable Fire (Zach at Elusive Lucidity)
DOCUMENTARY
- Thoughts From an (Experimental?) Documentary Film (Johanna)
- Over There : documenting contemplation (HarryTutttle at Screenville)
- Harun Farocki's Inextinguishable Fire (Zach at Elusive Lucidity)
- Lakes and Skies (Brian Darr at Hell On Frisco Bay) + acquarello : 13 Lakes, 10 Skies
- Tiexi Qu - Chinese Indie Doc (1) (Ouyang Feng at Chungking Express)
INDIVIDUAL FILM ANALYSIS
- Batalla en el cielo / Battle in Heaven (2005/Reygadas/Mexico) Robert Davis
- Be With Me (2005/Eric Khoo/Singapore) Marina
- Blissfully Yours (2002/Weerasethakul/Thailand) Vertigo
- Brown Bunny (2003/Vincent Gallo/USA) Steven Eastwood
- Colossal Youth (2006/Pedro Costa/Portugal) acquarello /
- Damnation (1988/Bela Tarr/Hungary) weepingsam / Adrian Chan / d+kaz
- Flandres (2006/Bruno Dumont/France) acquarello
- Gerry (Gus Van Sant/USA) Donato Totaro
- Heremias (2006/Lav Diaz/Thailand) Noel Vera
- The Holy Girl (2004/Lucrecia Martel/Argentina) Doug Cummings / Michael S. Smith
- Honor de Cavalleria / Quixotic (2006/Serra/Spain) Doug Cummings
- Inland Empire (2006/Lynch/USA) Jürgen Fauth
- Je, tu, il, elle (1974/Akerman/France/Belgium) Johanna
- Je rentre à la maison (2001/Manoel de Oliveira/France/Portugal) Flickhead
- Là-bas (2006/Akerman/Belgium/France) HarryTuttle
- Old Joy (2006/Kelly Reichardt/USA) Paul Martin
- Playtime (1967/Tati/France) Brendon
- The Red And The White (1967/Miklós Jancsó/Hungary) Ian Johnston
- Satantango (1994/Bela Tarr/Hungary) D. Bordwell / D. Hughes / Waggish / Jeremy Heilman / weepingsam / Ryland Walker Knight / Dave MacDougall / Donato / acquarello
- Still Life (2006/Jia Zhang-ke/China) acquarello / Girish / M. S. Smith / alsolikelife
- The Suspended Step of the Stork (1991/Angelopoulos/Greece) acquarello
- Tiexi Qu : West of the Tracks (2003/Wang Bing/China) Ouyang Feng
- Todo Todo Teros (2006/John Torres/Philippines) Noel Vera
- Tokyo Story (1953/Ozu/Japan) Ryland Walker Knight
- Trouble Every Day (2001/Denis/France) Jeremiah Kipp
- Two-lane blacktop (1971/Hellman/USA) Tom Stupen
- The Wayward Cloud (2005/Tsai Ming-liang/Taiwan) Steve
- The Weeping Meadow (2004/Angelopoulos/Greece) Matt Zoller Zeist
ROUNDTABLES
- Contemplative or not contemplative? (updates feed)
- Contemplation and Genres (updates feed)
- Aesthetic Economy (updates feed)
- Transcendental or CC? (updates feed)
- Bad Contemplative Films (updates feed)
BLOGATHON GUIDELINES
HELP MENU
- Text References (On/Offline bibliography) (update feed)
- Chronological list of Contemplative films (update feed)
- Group Management Administration (update feed)
ARCHIVED ARTICLES
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